Tako v preteklosti, kot sedaj, sem bil fasciniran nad tehnologijo in je zato ta tematika logična rdeča nit mojih del. Filozofija cyberpunka, razmerja med ljudmi in stroji, je bila moj kreativni pogon in vodilo mojega grafičnega raziskovanja.

Gladke in ostre kovinske ploskve s plastičnimi človeškimi glavami iz leta 1998, so zamenjale organske forme, mehansko-elektronsko okolje pa je postalo bolj kaotično, prostor kjer lahko deluje samo dobro prilagojena nadinteligenca. Sterilne ploskovne forme, ki so predstavljale resignacijo pred čisto tehnologijo, so tokrat manično neurejene in na robu norosti.

Human Behaviour prikazuje zliv ljudi v svoje mentalne eksoskeletre do meje neprepoznavnosti njunih ločnic.

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As I am and always was fascinated by the technology itself, it is obvious consequence that it is the most natural subject for me that I can work on. The philosophy of cyberpunk, a relationship between men and machines, was therefore my greatest inspiration and subject of my graphic investigation.

As there were smooth and sharp metal surfaces connected to the human heads of plastic materials from my 1998 series, I tend to work on more organic shapes of human body, while the mechano-electric enviroment became chaotic, a place where only well trained super-intelligent mind can work into. Sterile flat cold shapes, a resignated place of pure technology now became frantic mess on the edge of insanity.

Human Behaviour is about merging people into their mental exoskeletors to the point where you can't tell anymore where one ends and another begins.

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